Skip to main content

December 31, 2020: Low Light

Hi Jessi and Kate,

I have been way behind on my podcasts the last several weeks.  The main reason is because myself and a friend started our own podcast!  It's not Pearl Jam themed, however it's consumed a decent amount of my week preparing for each recording. 

So we now have a hit on the Dink-O-Meter for both of you.  First Jessi and now Kate!  I can't remember if I have proposed the Dink-O-Meter to you yet, but I have it as a three-tiered system:
  • Dinky: Just your average dinky, will only skip if streaming
  • Rinky-Dinky: Automatic skipper, even when listening to vinyl
  • Stinky-Dinky: It's like nails on a chalkboard to you
Based on Jessi's response to Parachutes, I have that somewhere between Rinky-Dinky and Stinky-Dinky.  I would have to let Jessi be the final judge on that.  For Kate's remarks to Low Light, I have it somewhere between Dinky and Rinky-Dinky, however I'm inclined to believe it's closer to Dinky because I wasn't able to note as many hot takes as Jessi did for Parachutes. 

Low Light has never hit the Dink-O-Meter for me, however I've always considered it a bottom-3 track on Yield.  However, that's not to suggest I don't like the song.  Yield is my favorite album and tracklist.  For the record, I cannot bring myself to change the track listing.  I actually think the placement for Low Light is where it should be.  The second half of Yield I think is awesome.  Even though the Do the Evolution is the side B, track 1, I've always considered MFC the "Home Stretch" of the record.  The studio version of Low Light is graceful.  It's the last slow burn of the record, which transitions nicely into In Hiding.  I'm sure placing it back-to-back with Pilate is a great idea, but I would rather separate that out on it's own and not reorder it on Yield.
 

The last thing I will say is that while I adore the studio version, I cannot get into the live version.  I know recently it's been near the top of the set list for many of their recent shows, but it does sound a bit "dinky" in that spot.  I'm also not a fan of dragging out the "Your Dream I See." I would prefer this be placed as an encore opener without the elongated ending.

Forced to endure, what I could not forgive,

Chris

Comments

Popular posts from this blog

October 17, 2010: RIP Mozart for Guitar

Hi Brad and Brad, I first want to mention that I can't remember the last time I laughed as hard as I did while listening to you two and Clint Wells go on about spoonfuls of flour and uncooked spaghetti.  I almost had to pull my car over as I was driving home during that part of the episode!   Since Eddie Van Halen passed away on October 6th, I've been listening to a lot of Van Halen.  I didn't really get into them until 10-15 years ago, but I consider them to be one of my favorite bands of all-time.  Eddie was truly an innovator on shredding guitar solos and may be my favorite lead guitarist ever.  I saw Mike's comment on Pearl Jam's Twitter feed referencing how he began playing guitar shortly after their first record came out.  He goes so far to say "it sounded like Eddie was from another planet" and "Eddie was like Mozart for guitar.  Changed everything and he played with Soul." I know the guys have covered Van Halen here-and-there and I looked

December 26, 2020: Someday at Christmas

Hi Brad and Brad, First, I hope you guys have had a Happy Holidays.  Secondly, I really enjoy your solo episodes.  They have a deejay format to them which also feels personable in getting to know each of your lives and what has influenced you to be who you are now. I hadn't taken the time to get to know Someday at Christmas until after listening to BradB's recent episode.  Pearl Jam does a great job in covering the song, and I prefer Stevie Wonder's version over the Jackson 5.  Especially, after reading the lyrics and reading some interpretations of the song.  At the time the song was released, the Vietnam War was still underway.  The lyrics seem to voice opposition to the war itself, but also express the hope for racial and economic equality.  Unfortunately, that message still resonates strongly.   Stevie Wonder was one of the artists that shaped my musical interests when I was a teenager.  I'm very glad the guys chose to cover this song for a Christmas single and have